What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese shi poetry from the late Northern Song dynasty (960–1127) to the end of the Southern Song (1127–1279), a period of profound social and cultural transformation...(展开全部)

In Song Dynasty Figures of Longing and Desire, Lara Blanchard analyzes images of women in painting and poetry of China’s middle imperial period, focusing on works that represent female figures as preoccupied with romance. She discusses examples of visual and literary culture in regard to their authorship and audience, examining the role of interiority in constructions of gender...(展开全部)

During the Northern Song dynasty (960-1126), new ground was broken in aesthetic thought, particularly in the fields of art collecting, poetry criticism, connoisseurship of flowers, and the song lyric. Collectively these activities constitute much of what was distinctive about Northern Song culture. Yet the subjects treated here were unprecedented when they appeared; consequentl...(展开全部)

Chinese Buddhist monks of the Song dynasty (960–1279) called the irresistible urge to compose poetry “the poetry demon.” In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place of poetry in the lives of Song monks. Although much has been written about verses in the gong’an (Jpn. kōan) tradition, very litt...(展开全部)

In this ambitious work of political and intellectual history, Charles Hartman surveys the major sources that survive as vestiges of the official dynastic historiography of the Chinese Song dynasty (960–1279). Analyzing the narratives that emerge from these sources as products of Song political discourse, Hartman offers a thorough introduction to the texts and the political circ...(展开全部)

In this ambitious work of political and intellectual history, Charles Hartman surveys the major sources that survive as vestiges of the official dynastic historiography of the Chinese Song dynasty (960–1279). Analyzing the narratives that emerge from these sources as products of Song political discourse, Hartman offers a thorough introduction to the texts and the political circ...(展开全部)

What is poetry? Often it is understood as a largely self-enclosed verbal system - "suspended from any mutual interaction with alien discourse," in the words of Mikhail Bakhtin. But in Poetry and Its Others, Jahan Ramazani reveals modern and contemporary poetry's animated dialogue with other genres and discourses. Poetry generates rich new possibilities, he argues, by absorbing ...(展开全部)

This innovative textbook for learning classical Chinese poetry moves beyond the traditional anthology of poems translated into English and instead brings readers—including those with no knowledge of Chinese—as close as possible to the texture of the poems in their original language. The first two chapters introduce the features of classical Chinese that are important for poetry...(展开全部)

This innovative textbook for learning classical Chinese poetry moves beyond the traditional anthology of poems translated into English and instead brings readers—including those with no knowledge of Chinese—as close as possible to the texture of the poems in their original language. The first two chapters introduce the features of classical Chinese that are important for poetry...(展开全部)